This
past week my peer and I took a trip to the National Museum of Women in the
Arts. I found it really interesting to
experience going to a museum, rather than viewing artwork in the
classroom. I liked being able to go with
a peer so I could discuss each painting we viewed. Before going to the museum, I thought that
the paintings I was going to be viewing would be very feminine, just like the
pictures we viewed in class the week prior by feminist artists such as Judy
Chicago.
As we made our way through the
museum, we passed artworks that are considered the permanent exhibit. One particular painting caught my attention right
away. It’s called “Portrait of a Young
Boy” by Elisabeth Louise Vigée-Lebrun and was painted in 1817. It was a very simple painting, yet it seemed
to have a lot of meaning behind it. Im
this painting, there is a picture of a very young looking boy who is holding a
big gun. As soon as I spotted this
painting, I was instantly reminded of the article we read a few weeks ago
called, “Why Won’t We Talk About Violence and Masculinity in America?” by
Soraya Chemaly. In this article, the
author discusses how tragic uses of guns here in the United States are by
unstable males. Soraya Chemaly says,
“There is, sadly, nothing unique about men with guns in this country killing
people everyday.” (Chemaly) This is a
sad thought because it means our society, as a whole, associates males with
acts of violence and hate.
The next piece of artwork I viewed
was a piece by Anna Ancher that was apart of the A World Apart exhibit. In the painting, "Women Plucking
Chickens" Anna Ancher incorporates women in her painting. The title of the painting pretty much
describes the scenario of the three women in the painting. This is not the only painting that
incorporates women doing labor. “Harvesters”
also by Anna Ancher relates to “Women Plucking Chickens.” The difference is that in
"Harvesters" the women are being led by a man in the field. In "Women Plucking Chickens" females
are the only gender represented in the painting and are the ones doing the
labor. I enjoyed analyzing both of these
paintings. Each painting in this exhibit
seem to reflect the lives of both Anna and Michael Ancher.
The wall plaques next to each
painting and the brochures I was given before my tour of the museum definitely
changed my initial interpretation of each piece of art. For example, "A-E-I-O-U (and Sometimes
Y) by Mickalene Thomas caught my attention because it was hot pink and
sparkling. When I read the description,
the artist was into exploring traditional notions of female identity and beauty
through African American women. This
piece of art recalls Andy Warhol's photobooth portraits. In addition, according to the museum's wall
plaque description, the title plays homage to a dance club and MTV hit in 1983.
I haven’t been to many art museums
in my life. My overall experience at
this museum was very pleasant and I would recommend it to anyone who was
interested.
Alexis describes one of the pieces I saw in the museum from a distance and automatically caught my eye. The piece "A-E-I-O-U (and Sometimes Y) by Mickalene Thomas was bold, sparkly, and a deep pink; very feminine. It looked like Andy Warhol so I decided to move on it was classic Andy Warhol painting; I didn't need to read the description. Reading this post, it opened my eyes to just how meaningful this piece of art actually was. It was mor than portrait in a photobooth style it was showing the beauty African American women. The glitz of the outline is dressing up the woman and the piece making it stand out. It is a new spin on a classic piece. I am so glad you spoke about this piece because it slipped my mind when writing my blog post.
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